Produced by Bristol sound co-founder the musician-producer, this sharp-edged if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one important plot development, but it leads to a hilariously staged rampage on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in UK and Irish cinemas from 17 November.
